“Anti-blackness, Racial Passing, and the Human as Ethical Being”
This talk reads Adrian Piper’s performance piece, Food for the Spirit, and interrogates the relationship between the logics of race/gender passing and the artist’s reading of a Kantian ethics of knowing. Such an act depends upon an intricate relationship between a priori or pure transcendent ideas or concepts, such as the concept of “personhood,” and the knower’s perception/intuition of the world. In Food for the Spirit, Piper simultaneously presents herself as the object to be known and a person capable of knowing. She does so by presenting herself naked, in front of a mirror, reading the Critique of Pure Reason as an instruction manual. Harvey argues that Piper’s presentation interrupts the process of knowing in the moment that the observer (she or we) notes her blackness. The black woman as figure, standing in for the universal “person” in the afterlife of slavery, appears as intangible, and the images blur and fade. Harvey, thus, asks after the conditions of possibility of knowing and the possibilities of a practice of knowing that does not insist on black objectivity as the unstable other.