UCI Claire Trevor School of the Arts, Department of Music

Presents

UCI Symphony
Orchestra
Winter 2025

Dr. Geoffrey Pope, conductor



Thank you to our Sponsors
Generous support is provided by
Charlie and Ling Zhang,
UCI Friends of the Symphony, and
the Marjorie and Robert Rawlins
Endowment Fund.

Thursday, March 6, 2025
8 p.m.
Irvine Barclay Theatre
University of California, Irvine
Dr. Tiffany López, Claire Trevor Dean of the Arts
UC Irvine Claire Trevor School of the Arts



– Geoffrey Pope, conductor


Kāmau (2022)Tonia Ko
(b. 1988)
Nocturnes, L 98 (1899)
     I. Nuages
     II. Fêtes
               Anthony Wang and Sain Leyva, student assistant conductors 
Claude A. Debussy
1862–1918
Violin Concerto in D minor, op. 47 (1905)
     I. Allegro moderato
              Selina Hsieh, violin 
               (Winner of the 2025 UCI Symphony Concerto Competition)  
Jean Sibelius
1865–1957

INTERMISSION

Sinfonia Concertante in E minor, op. 125 (1951)
     II. Allegro giusto  
               Benjamin Stern, cello 
               (Winner of the 2024 UCI Symphony Concerto Competition)  
Sergei Prokofiev
1891–1953
Enigma Variations (Variations on an Original Theme), op. 36 (1899)
     Enigma: Andante  
     Variation I. “C.A.E.”: L’istesso tempo 
     Variation II. “H.D.S- P.”: Allegro 
     Variation III. “R.B.T.”: Allegretto 
     Variation IV. “W.M.B.”: Allegro di molto 
     Variation V. “R.P.A.”: Moderato – 
     Variation VI. “Ysobel”: Andantino 
     Variation VII. “Troyte”: Presto 
     Variation VIII. “W.N.”: Allegretto – 
     Variation IX. “Nimrod”: Moderato 
     Variation X. “Dorabella” Intermezzo: Allegretto 
     Variation XI. “G.R.S.”: Allegro di molto 
     Variation XII. “B.G.N.”: Andante – 
     Variation XIII. “***” Romanza: Moderato 
     Variation XIV. “E.D.U.” Finale: Allegro 
Edward Elgar
1857–1934

Dr. Geoffrey Pope, conductor

Violin I

Selina Hsieh, concertmaster
Matthew Yee 
David Jou
Linden Jao
Jui-Yuan (Ben) Chen
Summer Yin 
Rin Matsumoto
Yasmin Dennis
Wisdom Hsu
Elliot Hong 

Violin II

Anthony Wang, principal
Joshua Mori
Aki Liu
Ellie Kim
Lauren Gauvin 
Alicia Clasquin
Shayna Sparks
Mia Murasaki
Brian Calaguas
Evan Wachowiak 

Viola

Ashley Chong, principal
Adam Tassos
Harshini Chaturvedula
Lawrence Cheung
Luke Li
Cami Lee
Andrei Hunt
Andrew Smet 

Cello

Benjamin Stern, co-principal
Ellie Chae, co-principal
Scott Schick
Annie Guo
Caitlin Walsh
Melody Lin
Kristina Tu
Erin Kim 
Alex Zhuang
Camden Shapiro
Adalmina Sarkar 

Contrabass

Gavin Lyu, principal
Eric Ashkarian 

Flute

Minami Mori, principal
Kelly Choi

Piccolo

Autumn Anderson

Oboe

Jin Tan
Alana Yee

English Horn

Sam Oryn

Clarinet

Midori Dragics
Bella Bravo
Daniel O’Grady

Bassoon

Caleb Martinez, principal
Benjamin Richard, guest

Horn

Zane Panizza, principal
Ethan Nguyen
Rigel De Souza

Trumpet

Peter Jelinek
David Achiriloaie
Michael Kallin, guest

Trombone

Kory Ha
Ulises Reyes

Bass Trombone

Haven Beares

Tuba

Cesar Hernandez

Timpani and Percussion

Yang Lu
Katelyn Lin
Hitesh Benny
João Martins
Nathaniel Chao

Harp

Ellie Choate, guest

Assistant Conductor

Anthony Wang 
Sain Leyva 

Librarian

Scott Schick


Geoffrey Pope, Music Director & Conductor

Geoffrey Pope’s dynamic career spans continents, genres, and musical disciplines. Recognized through numerous appointments, commissions, and awards as a conductor and composer, Pope seeks to present provocative, inclusive, and engaging performances that have a strong cultural impact.

Much of his conducting work builds upon the standard repertoire, exploring contemporary music, opera, and multimedia spheres, including art installations and film scores. Upcoming performances include the Los Angeles premiere of John Williams’ Prelude and Scherzo, a piano concerto written for Gloria Cheng and Lang Lang, with Ms. Cheng performing with the Santa Monica Symphony. This fall heralds releases of Pope’s recordings of several new works, including Noah Meites’ Counting, as well as Corey Field’s The Trial of Benjamin Britten, a monodrama in nine scenes, featuring tenor Todd Strange and hornist Dylan Hart. Recent performances include UC Irvine’s acclaimed production of Britten’s The Turn of the Screw, stage directed by Andreas Mitisek, as well as the masterworks concerts with the Beach Cities Symphony. This season he is a featured lecturer with the Los Angeles Philharmonic, giving numerous pre-concert Upbeat Live presentations.

Other recent performances include Puccini’s La bohème for Valley Opera and Performing Arts, and a live-to-film performance Kathryn Bostic’s new score to The Flying Ace (1927) at the Academy of Motion Pictures Arts & Sciences Museum in a celebration of early Black cinema, the premiere of David Reyes’ Aztec opera El Circo Anahuac, the premiere of Jason Barabba’s Lettere da Triggiano oratorio with Synchromy and members of the Los Angeles Master Chorale, a multimedia concert performance of Osvaldo Golijov’s Ayre at the Hammer Museum in Los Angeles, and Son of Chamber Symphony for the composer at the Inside the (G)Earbox: John Adams @ 70 symposium held at UCLA. Prior to this he conducted Benjamin Britten’s opera The Rape of Lucretia as part of the worldwide Benjamin Britten Centenary celebrations, with “energy and flair” (Boston Classical Review), leading a “warm and expressive rendering of Britten’s complicated score” (Boston Musical Intelligencer), and performances of Schoenberg’s Pierrot lunaire throughout the Denver Metropolitan Area. Other concert music recordings appear on the Open Space, Orenda Records, and Perspectives on New Music labels.

Pope is also dedicated to musical performance on a global scale, and is a regular conductor of concert and media music in the recording studios of Hollywood and Budapest. Recent projects include Music in Light, an immersive classical music multimedia installation that opened in April 2024 in Macau. In August 2023, he was hired to conduct and record the orchestra and choir for the St. Stephen’s Day fireworks display along the Danube, a yearly televised event akin to America’s Independence Day celebrations. His conducting and/or orchestration work can also be heard on numerous motion pictures, television series, and videogames, including Riot Games’ League of Legends, The Woman King, and the Emmy-winning score to Kung Fu Panda on Netflix. As a forensic musicologist, industry consultant, and researcher, Pope has worked nearly a decade on behalf of composers, studios, and attorneys.

Dr. Pope’s degrees in composition and conducting were completed at USC, UCLA, and the Eastman School of Music, where he was awarded the prestigious Walter Hagen Conducting Prize. While a doctoral conducting student at UCLA, Pope presented symphonic programs including an exploration of connections between music of Richard Wagner and Bernard Herrmann. His scholarly interests include Viennese music of the early twentieth century, and the role of diegetic music in the evolution of sonic spatialization. His dissertation addressed the evolving role of instrumental music written to be performed onstage (Bühnenmusik, or banda) in German language opera, and the coordination issues involved in its execution and synchronization with the orchestra pit. Pope’s dissertation was used as a primary support document in the Vienna State Opera musicians’ petition to declare Bühnenmusik as UNESCO Intangible Cultural Heritage.

Pope is a lecturer at UC Irvine, where he conducts the orchestra and opera and teaches orchestration and conducting. He joins the faculty of Chapman University for the Fall 2024 term teaching private conducting students and a score analysis seminar. He is currently Vice President of the Western Region of the College Orchestra Directors Association (CODA).

www.geoffreypopemusic.com

Selina Hsieh, violin 
Winner of the 2025 UCI Symphony Concerto Competition

Taiwanese American violinist, Selina Hsieh, is a second-year violin major pursuing a Bachelor of Music at the University of California, Irvine and studying under Professor Dennis Kim. She currently serves as the concertmaster of the UCI Symphony Orchestra and was the concertmaster of the UCI Opera Orchestra last year. Recognized for her artistry, she has been awarded the Phyllis Kovach Scholarship for the past 2 years.  

Raised in Cupertino, California, she began playing the violin at the age of seven. Her passion for orchestra began soon after joining the California Youth Symphony program which she participated for 7 years. In the past, she was also assistant concertmaster of Lynbrook High School Chamber Orchestra and assistant concertmaster of California Philharmonic Youth Orchestra. Selina has also participated in numerous prestigious summer programs, including the National Symphony Orchestra’s Summer Music Institute, the Online Solo Strings Intensive, the Vivace International Music Festival, and the Montecito International Music Festival. In 2024, she was also accepted into Aspen Music Festival and Brevard Music Center. She has also performed in masterclasses for famous violinists like Midori, Esther Yoo, Tessa Lark, Stefan Jackiw, and Richard Lin. She was also a prizewinner for the Talented Young Musician Olympia Competition and has received the Panel Masterclass Reward from the Music Teachers’ Association of California. She was also a finalist for the Shehrer competition.  

She is currently pursuing a career as an orchestral musician and is interested in pursuing graduate studies in violin. In her free time, she practices kendo with the Kendo Club at UCI where she also serves on the board as Public Events Coordinator. She also has an interest in coding and technology, having learned Python, C++, and HTML.   

Benjamin Stern, cello 
Winner of the 2024 UCI Symphony Concerto Competition

Benjamin Stern is a Master of Software Engineering graduate of UCI. He also holds a Bachelor of Arts in both Computer Science and Music from Grinnell College. He began his musical education at age 7 and has studied with Stephanie Maisel, Sarah Jay, Rudolph Stein, Alan Henson, and Sarah Koo. While attending Grinnell College, he served as principal cellist of the Grinnell Symphony Orchestra, was an avid member of chamber music ensembles, and gave two solo recitals. In 2023, he won Grinnell’s concerto competition and performed Mieczysław Weinberg’s Fantasia for Cello and Orchestra as a soloist. In addition, he created his own solo cello arrangement of Eugène Ysaÿe’s Six Sonatas for Solo Violin and performed the second sonata at his senior recital. At UCI, Benjamin has served as assistant and co-principal cellist of the UCI Symphony Orchestra. He hopes to pursue careers in both the video game industry and in music performance.


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MUSIC SCHOLARSHIP RECIPIENTS

Bette and Steven Warner Award in Drama and Music
Baharnaz Alimohammadi
Michael Balerite
Mariana Camara
Patrick Ferrer
Melanie Juniel
Isabelle Knowles
Kyle Lee
Meera Sriram
Cinthia Villagran

Harry and Marjorie Anne Slim
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Ki Young Park
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Chase Thompson
Dylan Williams
Matthew Yee

Marjorie and Robert Rawlins Scholarship 
Ryan Holder
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Margie McDade Memorial Scholarship
Matthew Yee

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Luke Li
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Music Department Scholarship
Bishop Tsang
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David C. Leidal Memorial Scholarship
Scott Schick
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H. Colin Slim Scholarship
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Medici Circle Scholarship
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Chieh Huang
Rebecca Larkin
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Alice Lowell Memorial Scholarship
Michael Jacobson

Sylvia Reines Scholarship in Music
Joanna Baird
Elizabeth Shim

Phyllis Kovach Vacca Scholarship
Selina Hsieh

Visionaries $1 million+
Mr. J.S. Kim

Ambassadors $100,000–$250,000
Beall Family Foundation
Matthew and Janet Proudfoot

Partners $50,000–$99,999
Susan Hori *+

Investors $25,000–$49,999
Matt Bailey *+
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Leo Freedman Foundation
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Steven M. Sorenson Foundation *+

Patrons $10,000–$24,999
Anonymous Donors
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The Estate of Ann and William Cullen
Farmers & Merchants Bank Foundation
Mary Gilly and John Graham +
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Cloud Hsueh ‡ and Fang Hsu
The Estate of Bobi Keenan
James and Katie Loss
Robert Peirson +
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The Segerstrom Foundation
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Benefactors $5,000–$9,999
Kimberly Burge
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Fellows $2,500–$4,999
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Tiffany López *+
Chris Mesel
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Orange County Community Foundation
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Advocates $1,000–$2,499
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Vina Spiehler
Richard and Alison Stein *+
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The Tigger Fund
Jason and Desiree Valdry
Joel Veenstra and Family +
Irwin and Michele Walot
James White
Lorri and Mike Whitney
S. Ama Wray
Katy Young and Christopher Lee
Shirley Zanton and Michael Whalen

Legacy and Endowment Donors
We are grateful for the trust and foresight of those who have ensured the Claire Trevor School of the Arts’ brilliant future by establishing an endowed fund or have included us in their estate plans.
Anonymous Donors
Diane and Dennis Baker
Edna Beach ‡
The Donald Bren Foundation
Ann Cullen ‡
Robert ‡ and Lorna Cohen
Frank D’Accone ‡
William Daughaday
Kris and Linda Elftmann
Leo Freedman Foundation
William J. Gillespie ‡
Henry W. Bull Foundation
Gunther Holland ‡
Bobi Keenan ‡
Victor Klein ‡
Beth Koehler ‡
Walter Koehler ‡
Michael and Stacy Koehn
Elaine Koshimizu ‡
Lucille Kuehn ‡
Betty C. Leidal ‡
Alice S. Lowell ‡
Fariborz and Azam Maseeh
Meyer Sound
Thomas Nielsen
Virginia and Norman Nixon ‡
Ronald C. Offen ‡
Michael R. Oppenheim
Lois J. Osborne ‡
Matthew and Janet Proudfoot
Marjorie and Robert Rawlins ‡
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Ryna H. Rothberg
Nancy Ruyter
Helene Santley ‡
Audrey M. Schneiderman ‡
H. Colin Slim ‡
Winifred Smith ‡
Thomas and Elizabeth Tierney
Claire Trevor ‡
Andrew Vacca
Bette Warner ‡
Hal B. Yolen ‡

* Dean’s Arts Board Members
+ Claire Trevor Society Members
‡ In Memoriam

This list represents generous gifts, pledges and pledge payments made between July 1, 2023 and June 30, 2024. Multi-year pledges are recognized for their full amount in the fiscal year they are made, and subsequent payments are recognized for their cash value. Please accept our apologies for any errors or omissions in this list. For questions, please contact ctsadevelopment@uci.edu.

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